“Also, learning that he came from Africa and that he is a pivotal figure in terms of history – it gave me a lot of inspiration, not only from his sound world but just from his story.”Ĭooper’s project for the conference consists of a 12-minute tape collage, which is best heard through headphones or decent speakers. “I was really inspired by his work and hearing about how he was truly one of the pioneers of working with tape collage,” says Cooper. 3 November 2020: From left, Sakhile Moleshe, Ann Masina and Zoë Modiga enjoying a light moment during the recording of episode three of Happenstance. El-Dabh’s work is becoming more prominent after being overshadowed too long by dominant Western narratives in sound. It was through his research for this tape collage that he first encountered El-Dabh, who is credited as the pioneer of tape collage and sometimes referred to as the “father of electronic music” as his work preceded French composer Pierre Schaeffer’s musique concrète (real music) by four years.Ī tape collage is made using recordings of different sounds on tape and rearranging them to create a new whole, much like one does with images cut out to create new artworks. Cooper first experimented with the machine to create a tape collage for the Africa Synthesized online conference in June last year. The Happenstance project follows from an earlier solo work created during the initial Covid-19 lockdown and inspired by Egyptian composer Halim El-Dabh. Right: 3 November 2020: Shane Cooper explaining his visual scores to some of the musicians and mentees during the recording of episode three, titled Tongues. Left: 9 November 2020: From left, assistant recording engineer Zain Vally and Shane Cooper at the recording desk. ![]() It dates back to the early 1970s, is robust and portable, and was used predominantly in field recordings, particularly for film. Released between November and December 2020, the work was commissioned by the Centre for the Less Good Idea, based in Johannesburg.Įarly in 2020, Cooper inherited a vintage Nagra IV-S reel-to-reel magnetic tape machine from his father, who had it in his studio from work as a video producer. His latest work is an adventure in sound called Happenstance, four soundbooks, much of which was recorded on a vintage reel-to-reel tape machine. A performer since the age of 16, the award-winning jazz bassist and composer’s work – including as part of his dual identity as electronic producer Card on Spokes – ranges across various albums and scores for film and theatre. Musician and producer Shane Cooper possesses a shape-shifting sonic ability. ![]() Click to email this to a friend (Opens in new window).Click to share on WhatsApp (Opens in new window).Click to share on Facebook (Opens in new window).Click to share on Twitter (Opens in new window).
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